Both “Son of Solomon” and “The Sun and the Moon,” which open and close the record respectively, prove this in their airy, atmospheric executions. In fact, Jupiter Calling possesses a set of songs so fluid in their marriage of styles, it's breathtaking. There are no “breaks” between the two tonalities. Their distinctive blend of classic Irish aesthetics and modern pop/rock touches is at its most natural and relaxed here. On Jupiter Calling, The Corrs play like a group in absolute command of their creative faculties. It was a fine and fair platter, but, there was a dangerous sense of self-consciousness dogging that LP. Burnett simply accentuates and amplifies their songwriting and playing here, keeping it lean, but filling.įor context, it's important to note that Jupiter Calling arrives two years after The Corrs ended their decade-long silence with White Light (2015). But, Burnett's task is relatively easy on Jupiter Calling, as The Corrs do the bulk of the work. Like the producers that preceded him on the group’s past affairs-David Foster, Glen Ballard, Mitchell Froom, Olle Romo, John Shanks-Burnett's reputation for getting the best results from his collaborative processes precedes him. For their seventh album Jupiter Calling, The Corrs drafted T Bone Burnett to pilot the project.
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